Free PDF of The Jazz Piano Book by Mark Levine - The Best Resource for Jazz Piano Players
Mark Levine The Jazz Piano Book Download Free
If you are a jazz piano enthusiast, you have probably heard of The Jazz Piano Book by Mark Levine. This book is widely regarded as one of the best and most comprehensive resources on jazz harmony and improvisation for piano players. It covers everything from scales and modes to chords and voicings, from progressions and substitutions to rhythm and comping, from soloing and styles to transcriptions and examples. It is a must-have for anyone who wants to master the art of jazz piano.
Mark Levine The Jazz Piano Book Download Free
But how can you get this book for free? Is it possible to download it legally and ethically? Where can you find reliable online sources and links? What are some alternatives and recommendations if you can't or don't want to download it? In this article, we will answer all these questions and more. We will give you a brief overview of the book, its author, its content, and its benefits. We will also show you how to download it for free, what are the pros and cons of doing so, and what are some other options you can consider. By the end of this article, you will have a clear idea of how to get The Jazz Piano Book by Mark Levine for free.
The Jazz Piano Book: A Comprehensive Guide to Jazz Harmony and Improvisation
The author: Mark Levine
Mark Levine is a renowned jazz pianist, composer, educator, and author. He has performed with many jazz legends such as Dizzy Gillespie, Woody Shaw, Freddie Hubbard, Joe Henderson, Tito Puente, Cal Tjader, Mongo Santamaria, Art Farmer, Stan Getz, Milt Jackson, Bobby Hutcherson, Eddie Harris, James Moody, David Liebman, Lee Konitz, Airto Moreira, Flora Purim, Hubert Laws, Wallace Roney, Clark Terry, Phil Woods, Slide Hampton, Chet Baker, Mark Murphy, Al Jarreau, Sheila Jordan, Jon Hendricks, Carmen McRae, Jimmy Witherspoon, Ernestine Anderson, and many others.
He has also recorded over 100 albums as a leader or sideman, and composed over 300 tunes that have been recorded by other artists. He has taught jazz piano at various institutions such as the University of California Berkeley, the Stanford Jazz Workshop, the California Jazz Conservatory, and the Jazzschool Institute. He has also written several books on jazz theory and practice, such as The Jazz Theory Book, The Drop 2 Book, Jazz Piano Masterclass: The Drop 2 Book, Jazz Piano Masterclass: The Art Tatum Solo Book, and of course, The Jazz Piano Book.
The content: theory and practice
The Jazz Piano Book is a comprehensive guide to jazz harmony and improvisation for piano players. It covers everything from scales and modes to chords and voicings, from progressions and substitutions to rhythm and comping, from soloing and styles to transcriptions and examples. It is divided into six main sections, each with several chapters and subtopics. Here is a brief summary of each section:
Scales and modes
This section introduces the basic building blocks of jazz harmony: the major scale, the minor scale, the harmonic minor scale, the melodic minor scale, the diminished scale, the whole tone scale, the chromatic scale, and the blues scale. It also explains how to use these scales to create different modes, such as the Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, Locrian, Lydian dominant, Altered, Half-diminished, Whole-diminished, Augmented, and Blues modes. It shows how to apply these modes to different chord types and functions, such as major 7th, minor 7th, dominant 7th, minor 7th flat 5, diminished 7th, augmented 7th, suspended 4th, and altered chords.
Chords and voicings
This section explains how to build chords from scales and modes, how to name them using symbols and abbreviations, how to voice them using different techniques and principles, such as root position, inversions, open and closed position, drop 2 and drop 3, fourth voicings, quartal harmony, upper structures, polychords, clusters, and slash chords. It also shows how to use these voicings in different contexts and situations, such as solo piano, duo piano, trio piano, accompanying a melody or a soloist, playing in a band or an orchestra, and so on.
Progressions and substitutions
This section explores the common chord progressions and patterns used in jazz music, such as the II-V-I, the I-VI-II-V, the III-VI-II-V, the VI-II-V-I, the cycle of fifths, the cycle of fourths, the turnarounds, the backdoor progression, the blues progression, the rhythm changes, and the modal interchange. It also teaches how to use various substitution techniques to create more harmonic variety and interest, such as the diatonic substitution, the tritone substitution, the diminished substitution, the augmented substitution, the chromatic substitution, the modal substitution, and the reharmonization.
Rhythm and comping
This section focuses on the rhythmic aspect of jazz piano playing: how to develop a solid sense of time and groove, how to use different rhythmic devices and patterns such as syncopation, anticipation, delay, swing feel, triplets, dotted notes, ties, accents, ghost notes, staccato, legato, polyrhythms, cross-rhythms, hemiola, odd meters, mixed meters, and so on. It also explains how to comp effectively for yourself or for others: how to choose appropriate voicings and inversions, how to vary your comping patterns and styles according to the tempo, mood, genre, instrumentation, melody, soloist, etc., how to use different comping techniques such as walking bass lines shell voicings striding block chords locked hands shearing montuno ostinato and so on.
Soloing and styles
This section deals with the improvisational aspect of jazz piano playing: how to create melodic lines that fit the harmony rhythm form and style of a tune how to use different soloing devices and concepts such as scales modes arpeggios chord tones extensions alterations approach notes enclosures passing notes chromaticism motifs sequences development variation contrast call and response question and answer tension and release and so on. It also shows how to play in different jazz styles such as bebop hard bop cool jazz modal jazz free jazz fusion jazz latin jazz bossa nova samba afro-cuban jazz funk jazz smooth jazz and so on.
The benefits: learn from the masters
Transcriptions and examples
This section contains hundreds of transcriptions and examples from some of the greatest jazz pianists of all time, such as Art Tatum, Bud Powell, Thelonious Monk, Oscar Peterson, Bill Evans, Herbie Hancock, Chick Corea, Keith Jarrett, McCoy Tyner, Brad Mehldau, and many others. These transcriptions and examples illustrate how these masters applied the concepts and techniques explained in the previous sections to their own playing. They also provide a wealth of inspiration and ideas for your own improvisation and composition. You can learn a lot by studying these transcriptions and examples carefully, analyzing them, playing them, copying them, memorizing them, and internalizing them.
Tips and exercises
This section contains useful tips and exercises to help you practice and improve your jazz piano skills. These tips and exercises cover various topics such as ear training, sight reading, technique, fingering, articulation, dynamics, expression, phrasing, interpretation, creativity, musicality, and more. They also include suggestions on how to practice effectively and efficiently, how to set goals and measure progress, how to overcome challenges and difficulties, how to avoid bad habits and mistakes, how to develop good habits and routines, how to have fun and enjoy playing jazz piano.
Listening and analysis
This section emphasizes the importance of listening and analysis for jazz piano learning. It explains how to listen actively and critically to jazz recordings and live performances, how to identify the key elements of jazz music such as melody, harmony, rhythm, form, style, genre, instrumentation, arrangement, etc., how to analyze the structure and content of jazz tunes such as the melody line the chord progression the bass line the drum pattern the solo lines the comping patterns the arrangement techniques etc. how to compare and contrast different versions and interpretations of the same tune by different artists how to appreciate the nuances and subtleties of jazz expression how to develop your own taste and preferences in jazz music.
How to Download The Jazz Piano Book for Free?
Legal and ethical issues
Before we show you how to download The Jazz Piano Book for free we need to address some legal and ethical issues that may arise from doing so. The Jazz Piano Book is a copyrighted work that belongs to its author Mark Levine and its publisher Sher Music Co. Downloading it for free without their permission or consent may violate their intellectual property rights and may expose you to legal consequences such as fines or lawsuits. Moreover downloading it for free may also be unethical and unfair to the author and the publisher who invested a lot of time effort money and resources to create this valuable book. They deserve to be compensated for their work and rewarded for their contribution to the jazz community. Therefore we strongly advise you to respect their rights and interests and to download The Jazz Piano Book for free only if you have a valid reason or justification for doing so such as:
You already own a physical copy of the book but you want a digital copy for convenience or backup.
You want to preview the book before buying it.
You can't afford to buy the book due to financial difficulties.
You can't access the book due to geographical or logistical limitations.
You are using the book for educational or research purposes only.
If you fall into any of these categories then you may have a legitimate case for downloading The Jazz Piano Book for free. However even if you do we still encourage you to support the author and the publisher by buying the book if you can or by recommending it to others who may be interested in it. This way you can show your appreciation and gratitude for their work and help them continue producing more quality books on jazz piano in the future.